
immersion
indicible
adduction
d’eau
cargo
covers
cadavers
ravage
blind
exalted
sky
(did
my father sing)
wood’s
heritage
cities
cannot
on table
broken by books
clean revolver
cloth
oil
rag wrapped
around neck
no
cease chant
soon
another to arrive
accordéon across
breast
knife
knows
shrapnel’s
canal
olives bled
before
valley
before valley
remember
rounds
passing
birds going
berserk
air
annihilation’s
artery
wings devastate
wind
bank
to bank
wire
string
rain
hold
together
indiicible
knots
no
statue’s
odor
stress
state
of
sea
come
without
key (clay)
to tomb
after all
being
being assassin
of being
return
to rope
night
notre destin
deposed
between
hands
believe
breath
efface
substance
source
secret
vanquished
here
as else
where
essence
simply sensation
rats régal
reliable
so
that is
so
irrévocable
night
is at home
seas
shrivel
see
you
see
tears
arrows
cut
circulation
to triangle
learn
lamentations
lucidly
cohérent counsel
offered from chamber
sea
deserted
of her name
capitulalting
under
this condition
counting
numbers
you shall
never know
moi photograph © estate of martin kantor

depth's
depth
papa legba
let us look
shallow
grave
i be
buried for some
time
now
cure
burned alive
curse's
body broken
hauling this
body through haunted
passages
strangely
still
standing
up
straight
papers
peeling off
skin
after
skin
layer
after
layer
you knew
you knew
serpent
so strong
under my skin
so
so
it is
sung
tonight
studio
so beautifully
melody
forgotten
when moon
murdered
when moon murdered
legba
old man
lost voice
within viper
you knew
you knew
you knew that
earth
erupted
words
wound
evisceration
each thought
interrogated
again
& again
beginnings
endings
whatever you want
to call them
call them
papa
call them now
in horse's hours
did you dance
or was that
writhing
with wraiths
wear you robe
of flesh
try to pronounce
premonition
speak
sing
scream
it hard
ly
matters
to
matter
hard
ly matters
at all
grab
abacus
beats it
against skull
until balls
fall
bloodied
bellowing
divisions
subtractions
scene so squalid
you recall
precisely
perfectly
draw
dread
closer
draw
dead
closer
kiev 1942
portrayal
of crowds
chasing one
another
& animals
blades
& spades
crashing
crushing
& cutting
noise
not nature
noise
nausea
premeditated
pandemonium
discord
degraded into din)
noise
not
nature
let me swim
in ebony sea
let
ebony sea
swim
through me wind
wounded by breath
trembling
trepidation
foreboding
frightening
figures
have come
to comprehend
completely
name of numbers
flinch
shudder
archaic
images immersed
in intestines
from first
noise
noise
not nature
pool
of piss
running
down
legs
shower shame
shelters
from worst
worse coming
comes
so it it
it is so
come
ô clouds
come
outcome
obvious
i dead
body broken
short
breaths
before it’s time
to give account
broken into breath
reach reluctantly
for remains
for body here
hell horizon
down passage
down
below
recall
outline in cave
fashioned
with feet
against wall
drawing
dread
pity
pity
illustration
of illumination
immolated
devour
morsel
by morsel
images immerse
in intestines
slither
through fissures
time triggered
fall
you cannot answer
here & now
without weeping
dominion
realm
realm
rattling
cage dragged
down corridor
by beast
beyond
writhe
when worlds
waver
writhe
cut throat
live
by river
& weep
into water
open gates
so saliva
reaches level
of blood
gates gone
gathered
at graves
wind
words
here
horizon hell
clear
fecal fog
finished
off
tongues torture
so serpent sang
to skull
from first
to last
shelter shredded
into scattered
scraps of skin
scratch
deep
in earth
with force
you have
little
scratch
use utensils
created from carcasses
robe
of birds
specters surround
suspecting
choice charnel
mourn movement
be boat
or bird
no
no
appetite for answers
fibres
& flesh
history hole
hell
horizon
depth
depth
cannot conceive
thrash about
thickets
gravity
goes
twitch
tremble
twitch
tremble
meat
men
witness light
on one day
that was enough
punishment
waking
no point
in going
to sleep
no point
without going
down further
down below
in your mouth
they will find
no song
but songs
pulsing
through veins
vein to vein
sweat
saliva
higher ground
shallow
grave
body
lost
crawling
in corridors
endless corridors
to an arcade
chart
course
plague
higher calling
miners going further
pull thread
from seam
desperate proposals
leave or lose
go back
to beginning
repeat
word into word
sentence into sentence
phrase into phrase
gale going
through bones
this geography
annihilate them all
don't go
witness
clearly collapse
inhale
exhale
wait for blossoms
to blemish
inevitable
decline
beautiful soil
your deprivation
destinies
destitute
weight
of wonder
weight
of years
weight
of wing
time into time
stone after stone
all night
night into night
horizon hell
horses run
in rings
old man naked
except for hat
celebrate
hard time
howl
for history
then ask
for syringes
now
now in
night's knot

A few months ago, lyrics to a song about Los Angeles came to me out of the blue. That same blue magnet extracted the melody to, “Our Lady of the Angels.” I have a long history with L. A., so the sentiments are genuine. Nevertheless, the provenance of the song is a bit mysterious.
I felt a need to have the song recorded right away. With my usual sources occupied, I determined to record it myself. The Braille Institute which I attend, has a small recording studio. Julius Ancho, who oversees Braille’s IT and electronica library, was delighted to oblige. Julius. a brilliant keyboardist, was also needed to lay down the musical track. For some reason, he is more fascinated by the bells and whistles of the recording unit.
Since Julius could eke out only an hour at a time from his assigned duties, it required many sessions to complete.
After we got underway, Denise Bravell, an ear-perfect musician and composer with whom I have collaborated before at Braille, was invited to join us. She took over track production; thereby freeing up Julius to his fantasy of turning knobs and pushing buttons.
My song-writing partner Tommy Dodson gave the song the finishing touches at our Musical SoCal studios.
Here is the result of all our efforts, as presented on Tommy’s Tableaus.
Although I sing only a portion of the Spanish version I translated, following are the complete lyrics in English and Spanish:
OUR LADY OF THE ANGELS
Our Lady of the Angels,
My always live L.A.,
You make a way for strangers –
Each welcome-mat freeway.
Your beaches-desert option
Define your great expanse.
'The Valley down to Compton,
Your street cred does enhance.
Yes, Hollywood is an actor;
Delighting the eyes of the world;
A great launching pad by Max Factor;
From which myriad stars are hurled.
Our Lady of the Angels;
In Spanish it’s the same;
It rings like ancient church bells,
Los Angeles: Your name!
LA REINA DE LOS ANGELES
(Our Lady of the Angels)
Los Angles, Señora,
Ciudad siempre audaz,
Tú invitas a cada hora,
A un trámsito sin paz.
La playa y el desierto
Tan grande te hacen así.
El Valle San Fernando
Y Compton te hacen a ti.
Sí, Hollywood, el gran actor,
Disfruta de fama mundial.
Y es, sin duda, el factor –
La gran vía celestial.
Señora, te adoramos.
Amada tú serás.
Contentos, te cantamos.
Los Angeles: ¡Hurra!

twigs
tell
furnace
cutting through
time's remnants
corpses
crushed
at feet
drift
sacrifice ram
to monkey
gods
weep
within frame
by frame
fire
storm
sense
mind's
murder
miracle
call out
cry
beloved
wait for me
out on mesa
share skin
with wind
hear out
ezekiel
he
knew
nabuchodonosor
hour
before
hours
somewhere in sewers
exalting in excrement
taste
twig
between your teeth
state towards see
if
it
possible
ask
if you have
arrived
at end
of time
dance as wave
beloved
dance as wave
beloved
but
don't approach
apparitions
now
or
after

oncoming flames
obey
omens
matter manufactures
roar
cry
come to cage
whisper
with condemned
man
is a chasm
crashing against another
beginning & end
down to earth
down
to centre of earth
blind
& bound
register tears
start
another arrangement
ends
of world
pull close
too close
colliding in shadow
flee towards east
flee towards south
flee towards north
west wretched
wind
blowing blast
beautiful & brutal
dark chilling rains
begin to fall
birds of prey
gather suns
gaze
when wounded
winds coming close
share
with shadows
hold tightly cord
wherever beyond
chart waters
caught in current
clear
go further
hell
specific geography
walk
down
valley below
below
beloved
remember glance
weep waves
turn
to count
go
down so slow
night
into night
face
pressed into granite
tears trace
so serpent sings
storm
of fire
tongue hanging out
wandering in black
rain
heading north crying
for help
howl
name
near coast
collect fishermen's bones
funeral pyre
beloved
sing another song
wolves quiet
quivering in corner
guests ghouls
inhale ice
judgement day
done deal
l
burning
bodies to cinder
still standing
up
or down
twigs in teeth
scraps of skin
scraps of skin
beloved
time
entering time
ride
night now
into village
near coast
two towns
bear name
forget route
time gone
veins still
howl until hoarse
make out word
sheets of skin
fall
to bottom
of sea
breath by breath
hear sound solemn
close mouth
of ghosts
go
down
another circle
in great fall
of flesh
remember burning bed
torn pages
burning
blue flame
bridge of dead
burned black
skins bursting
bodies
of broken glass
corpses
carried by current
to sea
river
not flowing water
stream of drifting
burned bodies
night knew
man melts
hold lamp
go on
touch
soil or sea
everything evaporates
come with chalice
run
with horsemen
come
overwhelmed by omens
grasp reeds
closer to circle
empty pages written
by absence
remember eating glass
mouth
full of rope
climb time
with tongue
clay
charnel house
drifting dead
choke crevasses
:
corpses crushed
at feet
drift
particular
dance
eden empty
circle within circle
age into age
Ice
corpses crushed
at feet
drift
come this way
again
again
lost
chart chafes
such skin
as possessed
in pyre